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Read below or click here to see the article on the Concordian website.

A collective cure-all

Jazz-funk fusion band provides elixir for musical ills

By Malin Jordan

The Montreal music scene is exploding, and newcomers Panacea seem to be tailor-made for it. The four-man Montreal band has only been gigging since August, but their performances are utterly intoxicating.

"We started as an experiment," said Ben Dodds, the band's drummer. "It was weird at first, but we connected and let the band flow; we let the music do talking."

Panacea is a result of a chance encounter, as Ben and his twin brother Josh put some posters up around McGill and Concordia that were answered by trombonist Eli Chalmer and keyboardist Greg Burton.

"Panacea is not funk or classical music: it's improvisational," said Chalmer, the band's de facto frontman. "It doesn't fall into a category. It's not jazz or anything like that."

"After eight bars of their first song, I was like, 'You guys are staying here forever,'" said Ronee Nurse, owner of the Crescent Street Pub. Panacea picked up a regular gig at his bar after opening for another band.

The band

Burton is from Wolfville, Nova Scotia, and when he plays, he burns. Studying at Concordia, Burton's background is a Phish-Zappa fusion smoothed over with classical piano harmonies.

Funk-rockers Josh and Ben Dodds hail from Edmonton. Ben plays drums and Josh plays upright bass and bass guitar.

A southpaw, Josh started playing guitar at 14, flipping the axe upside down, Hendrix-style, rather than attempting to restring it. "People think it's this amazing feat, but it's just the way I learned," he said.

Josh's brother, Ben, has been beating the drums for 19 years. When he's not practicing or performing with Panacea, he also plays in a jazz combo.

Studying at McGill, Chalmer rounds out the foursome. A Vermont native, Chalmer has studied classical music since age three.


The music

"You can't label them. They have too much creativity and too much power," said Nurse, adding that it hurts artists when people assign different categories to creative works. "It discredits music. If I say funk, what's funk? I think it's unfair to pigeonhole music."

Panacea's powerful songs can stand alone, but together they send out a decree; they force a reformation of thought, and their sets become musical narratives.

Songs like "Blade," "Firebird," "Your Momma Does Acid," and "Succubus," reinforce these earthly wills. Their rhythms emotionally climb and hit breaking apexes. They collectively beat back their combined power and, after brief downpours of pace and pattern, keyboards and brass cut through the air, charging full tilt into frays of drums and bass.

When they explode into these funkadelic trips, Chalmer's brass trombone sweats and his ballooned cheeks squeeze into the bristling four-way encounters of strings, skins, brass, and keys. Add the Dodds' convulsive tempo coupled with Burton's electric virtuosity on the keyboards, and Panacea transmits their music as a funk doctrine renaissance.

Named after a medieval female sex demon, their song "Succubus" is a groovable feast of funkatory delights that is pure aural hedonism. The tune begins with a slow, even pulse as Burton reconciles the beat with some erotic key work. After two minutes at a feverish level, Chalmer floats in with a caressing freefall of smooth swells from his trombone.

For Josh Dodds, music is his "Succubus." "I relate it to sex. I love the way it makes me feel," he said. "It makes me feel great: I'm addicted."

According to Ben Dodds, disappointment is the only emotion you won't experience at a Panacea show. "We're not another cover band. We don't play the same stuff over and over," he said.

Full of sonic genius, Panacea asserts old style emotion crashing into futuristic frenzy. These guys are their own heirs to a new force in music - the new force Panacea is creating.



Panacea plays Thursday nights after 9 p.m. at the Crescent Street Pub, at 1221 Crescent St. No cover. If you want some free downloads, the band's website is panacea1.com

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Read below or click here to see the article on the Tribune website.

Panacea: for what ails you

Local fusion band brings it all together

By Tessa Blanchfield

Who would have thought that you could jam out to "Peter the Wolf"? Panacea, a five-member hard groove fusion band, did just that and a whole lot more on Thursday night. Their live album recording at the 1221 Crescent Street Pub packed the bar, as the group delivered a unique and energetic show.

Panacea is Eli Chalmer on trombone, Nick Kurshnit on trumpet, Greg Burton on keyboard, and twins Josh Dodds playing bass and Ben Dodds beating the hell out of the drums. The group had a difficult time finding the exact words to describe their sound. As Burton explained, "We're mod-fusion-no, high-energy fusion. Wait, I've got it-we're progressive heavy groove."

Regardless of labels, Panacea brought it all to the table. Jazz, reggae, soul and a dash of psychedelic funk kept the crowd cheering and the show fresh. Their compelling style, complemented by an equally dynamic stage presence, produced an eclectic, tight performance.

"We're completely different from anything else out there. Our instrumentation is different; the fact that we don't have a guitarist is unique and we create very different, long movements," said Josh Dodds.

He was right: Panacea is skilled at building melodic tension and seamlessly moving from one sound to the next. They had so much energy that it seemed like their instruments were going to burst into one harmonious, musical orgasm.

Burton played the keyboard like a heavy metal star, and Chalmer was, as he colourfully put it, "musically jizzing all over the place." Every band member perceptibly felt the music he created. To kick it up even more, Chalmer repeatedly grabbed the microphone and scatted in tongues to the beat. No one knew what the hell he was saying, but it didn't matter. The crowd loved his gibberish.

As he explained, "I had to provide some craziness to the show. I become insane and just go-I babble like a crazy person." From movement to movement, you never knew what you were going to hear, but you always liked it.

Panacea is defined as a cure-all for any disease, difficulty or evil one may encounter. The boys definitely created enough sound to ward off evil spirits, and their vibrant beats and enthusiastic attitude sent an optimistic vibe throughout the small, smoky bar. So if you're feeling down, go see Panacea any Thursday night at 1221 Crescent Street Pub. They'll jam the life back into you.

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Read below or click here to see the article on Calvin Daniel's Blog